A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn’t a legend and he wasn’t mad. He lived among us, and was a genius.” — Jonathan Lethem

Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine”.

The Exegesis of Philip K. Dick” (Author), Pamela Jackson (Editor), Jonathan Lethem (Editor); Hardcover: 976 pages; Publisher: Houghton Mifflin Harcourt ; None edition (November 7, 2011)

Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work.
In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information."
In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy.
In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.”


7.11.2011: Jonathan Lethem and Philip K. Dick's daughters, Isa Dick Hackett and Laura Leslie discuss The Exegesis of Philip K. Dick
Laura Leslie, Jonathan Lethem
Union Square, 33 East 17th Street, New York, USA

14.11.2011 : Panel Discussion with Jonathan Lethem (co-editor), Isa Dick Hackett, and Laura Leslie.
Moderated by David L. Ulin, book critic, Los Angeles Times
Mark Taper Auditorium, Central Library, Los Angeles, USA

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